Friday, January 1, 2016

STUDY OF A SETH SKETCH

11 1/2" x 8 1/2" Pentel brush pen and Faber Castell Pitt big brush pens in Canson sketch book

Thursday, December 31, 2015

STUDY OF CLOWES SKETCH

8 1/2" x 5 1/2" Uniball pen, Pentel brush pen and Faber-Castell big brush pens in Moleskine sketchbook

Friday, December 25, 2015

STUDY OF GALLO SKETCH INKED

8 1/2" x 5 1/2" HB pencil in Moleskine sketchbook.  Then today I inked it with Speedball super black India ink, crowquill pen and Winsor Newton Series 7 #2 brush.


I usually don't use the pencil but I find it easier to use while lying on my back. I'm only supposed to be sitting 15-30 minutes at a time while I'm healing up, so tomorrow I'll have to ink this drawing fast!


Bill Gallo was a sports cartoonist for the New York Daily news for over forty years. I love to study and learn from his work because it does more than tell a story, it touches the heart. In this drawing a fighter's handler's wouldn't stop the mismatched bout but the referee did. Gallo said "The perspective is intended to lead your eye up the boxer's body, to his head and bloody cuts. You see the compassion of the ref without even seeing his face, just by the way he's holding him, like a father would a son."

STUDY OF A GALLO SKETCH

8 1/2" x 5 1/2" HB pencil in Moleskine sketchbook.


I usually don't use the pencil but I find it easier to use while lying on my back.  I'm only supposed to be sitting 15-30 minutes at a time while I'm healing up, so tomorrow I'll have to ink this drawing fast!


Bill Gallo was a sports cartoonist for the New York Daily news for over forty years. I love to study and learn from his work because it does more than tell a story, it touches the heart.  In this drawing a fighter's handler's wouldn't stop the mismatched bout but the referee did.  Gallo said "The perspective is intended to lead your eye up the boxer's body, to his head and bloody cuts.  You see the compassion of the ref without even seeing his face, just by the way he's holding him, like a father would a son."

Thursday, December 24, 2015

PRIVACY

10"x8" Micron pen and Fude brush in Moleskine sketchbook. Part of it from an Adolfsson sketch.

Wednesday, December 23, 2015

HE MISSED THE TEN COUNT

11"x 8 1/2" Uniball pen, Fude brush, Pentel brush pen and Faber-Castell big brushes in Canson sketchbook.
My Dad was a gentleman and a gentle man. I boxed in my youth and even though he disapproved of the sport, he was glad that I knew how to handle myself. As a reward for keeping my grades up and staying out of trouble he would take me to see the prize fights at the 34th street Madison Square Garden in New York City.
On December 12th, 1969 we went to see Jerry Quarry vs George Chuvalo. Quarry had lost a fight for the Heavyweight championship the previous June and was trying to stay in contention for another chance to fight for that title. He agreed to fight the Canadian heavyweight champion George Chuvalo for that chance.
That night Quarry gave Chuvalo a beating and was ahead on points at the end of the 6th round. Between rounds I heard Chuvalo's cornermen imploring him to "get out there and hit him".
With just under one minute in the next round Chuvalo hit Quarry with a flurry of hard punches, and took a hard punch in return.
Chuvalo appeared spent.
Suddenly he hit Quarry on the forehead with a left hook. Quarry stood for a moment, then stumbled backward falling to the canvas on his side. It was as if the energy force of the punch travelled from his head down through his legs taking them right out from under him.
Quarry jumped to his feet as the referee began counting to ten. I could hear the time keeper counting in unison with the referee over the public address system despite the deafening roar of the crowd. Both referee and timekeeper yelled "ten" and Quarry stood up. The referee began waving his arms. It's over.
Too late. He was counted out He missed the ten count. Cornermen for both fighters began jumping over the ropes into the ring. A photographer jumped into the ring taking photos. After some arguing and pleading the decision stood. Chuvalo was the winner.
At that moment looked up and saw Quarry's face. That image is burned into my memory forever and that is what I have drawn here. My Dad, an accountant, told me on the way home that prizefights should always know how to count to ten.

SKETCHBOOK

10" x 8" Uniball pen, Fude brush and Faber Castell big brushes in Moleskine sketchbook

Tuesday, December 22, 2015

DATE NIGHT WEST 4TH STREET

10"x 8"  Uniball pen and Faber-Castell big brush pens in Moleskine sketchbook  

Monday, December 21, 2015

Sunday, December 20, 2015

Saturday, December 19, 2015

WOMAN IN BOOKSTORE

10"x8" Micron pen and Fude brush in Moleskine sketchbook (from photo)

Friday, December 18, 2015

STUDY OF REDDY'S SIDNEY PIPES

8 1/2" x 5 1/2" Micron pen and Fude brush in Moleskine sketchbook. I'm home post back surgery and sketching laying down. I'l never be able to thank my loving family and friends enough for getting me through this, especially my wife Julie!

Saturday, December 12, 2015

STUDY OF EMEK'S PEARL JAM

11 1/2" x 8 1/2" Micron pen and Fude brush in Moleskine sketchbook

Monday, December 7, 2015

HEIDI MOORE ON TOUR

18" x 24"  Speedball super black India ink, Fude brush and Faber Castell big brush pens on Canson Bristol paper

Sunday, November 29, 2015

STUDY OF A REDDY SKETCH

    10" x 8" Uniball pen and watercolor in Moleskine sketchbook. I'm taking Steve Reddy's class and I'm learning at lot. He's a gifted teacher and artist who explains and demonstrates concepts in a non-dogmatic way that I'm able to understand. (Hope that wasn't too brown nosey)

STUDY OF A CRUMB SKETCH

10" x 8 1/2" Micron pen in Moleskine sketchbook. It was time to review the crosshatching lesson from Tommy Kane and after checking out the video again I decided to try a study of a Crumb sketch. Thanks to both of these great artists for the lesson. Whew, that's a lot of books and crosshatches!