CHIEF YOUNG JOSEPH

10" x 8"
Uniball pen and Watercolor in Stillman & Birn Beta sketchbook

ATTITUDE ADJUSTMENT JOSEPH, OREGON

10" x 8 "
Watercolor, Uniball pen and white China marker in Stillman & Birn Beta sketchbook
from Austin Barton sculpture

OLD CHIEF JOSEPH GRAVESITE, JOSEPH OREGON

8" x 10"
Watercolor and Uniball pen in Stillman & Birn Beta sketchbook
"In 1926 2,500 people lined up to see the remains of tıwi·teq̉ıs or Old Chief Joseph interned at a new gravesite at the base of Lake Wallowa, overlooking the lands he once called home. Located in northeastern Oregon in the Nimiipuu or Nez Perce homeland, tıwi·teq̉ıs is the father of Chief Joseph, a leader during the conflict of 1877.
Ttıwi·teq̉ıs was born between 1785 and 1790 and grew to be a leader of the groups of Nimiipuu living in the Wallowa's. He signed the Treaty of 1855 but refused to put his mark to the Treaty of 1863. He died in 1870 but not before compelling his son to hold fast and defend his home land and people, "My son, never forget my dying words, This country holds your father's body. Never sell the bones of your father and mother." Unfortunately, under the threat of being evicted by the US Army, Young Joseph left the Wallowas in the spring of 1877 for the Nez Perce Reservation in Idaho. When tıwi·teq̉ıs died, he was buried further down the valley but his grave was desecrated.
After the Nimiipuu left the valley in 1877, the land was settled and several prominent community leaders lobbied for tıwi·teq̉ıs to be reburied. In 1926 that happened. While the Nez Perce have been gone for over a century, the grave is a tangible link to a place that is still special to the Nez Perce."
National Park Service

Mascall Formation John Day Fossil Beds, Oregon

8" x 10"
Watercolor and Uniball pen in Stillman & Birn Beta sketchbook

KAM WAH CHUNG & CO MUSEUM JOHN DAY OREGON

8" x 10"
Pentel brush pen in Stillman & Birn Beta sketchbook

PAINTED HILLS JOHN DAY FOSSIL BEDS

8" x 10"
Watercolor in Stillman & Birn Beta sketchbook

PAINTED HILLS JOHN DAY OREGON

8" x 10"
Watercolor in Stillman & Birn Beta sketchbook

FIGURE STUDY RED

14" x 11"
Watercolor and ink in Strathmore sketchbook

PORTRAIT OF SITTING BULL

18" x 24"
Ink and florescent acrylic on Bristol paper

FIGURE STUDY JAUNE

14" x 11"
Watercolor in Strathmore sketchbook

BROKEN BRIDGE

11" x 17"
Pentel brush pen, Kuretake Fude brush and Faber-Castel brushes in Canson sketchbook

MTA (after John Wentz)

11" x 17"
Fude brush and Faber-Castell brushes in Canson sketchbook

WAVY GRAVY ON THE FLOOR

11" x 17"
Uniball pen, Faber-Castell brushes and florescent acrylic in Canson sketchbook

Hugh Romney was laying down on the stage at a concert in Texas when he heard the PA announcement that B.B. King was there and was going to play for free.  Suddenly he looked up and there was King standing over him.

"You Wavy Gravy ?"
"Yes Sir"
"Well you be Wavy Gravy on the floor and I'll work around you".

From that day on Romney became Wavy and went on to entertain and raise money for many charitable causes including the Seva Foundation which to date has funded over 3 million successful cataract operations in poor countries around the world.

EMPRESS OF THE BLUES

19" x 25"
Mixed Media on Canson paper

PRELIMINARY STUDY

18" x 24"
Watercolor and ink on Canson paper

OUR GARDEN

11" x 17"
Ink, Faber-Castell brushes and florescent acrylic in Canson Sketchbook

WHERE'D I PARK?

11" x 17"
Ink and Faber-Castell brushes in Canson sketchbook

GABRIEL

11" x 8 1/2"
Ink and fluorescent acrylic in Canson sketchbook

THE COWGIRL THOUGHT WHEN PIGS FLY

8 1'2" x 11"

Faber-Castell brushes in Canson sketchbook

TWISTED SUNFLOWERS

24" x 30"
Acrylic on canvas