LANDSCAPE

11 1/2" x 8 1/2" Uniball pen and Faber-Castell Pitt big brush pens in Moleskine A3 sketchbook

SITTING BULL 1831 - 1890

11 1/2" x 8 1/2" Uniball pen and watercolor in Moleskine A4 sketchbook

PRELIMINARY SKETCH

 11 1/2" x 8 1/2" Uniball pen and Faber-Castell Pitt big brush pens in Moleskine A3 sketchbook. Once I get it corrected and sussed out I'll do a large painting with acrylics.

STUDY FOR BUFFALO

 11 1/2" x 8 1/2" Fude brush and acrylic in Moleskine A3 sketchbook.  This from work by Larry Pirnie an amazing artist whose work I study because it really loosens me up color wise.

REMINGTON SKETCH

 8 /12" x 5 1/2" Uniball pen and ink in Stillman and Birn Beta sketchbook. We were off to the Oregon coast to beat the heat last week and do some gambling. I wasn't going to sketch but found a pen and pencil with this sketchbook in my bag along with a Remington book and a True West magazine. Might as well try to learn from a master like Frederick Remington so sketched this.

PRELIMINARY SKETCH 7 HORSES

8 1/2" x 11 1/2" Uniball pen, Watercolor, Acrylic and ink in Moleskine A4 sketchbook. I'm planning a big colorful painting of these seven horses and that requires some sketchbook work.

TOM MIX MOVIE POSTER

11 1/2" x 8 1/2" Uniball pen, Fude brush and watercolor in Moleskine A4 sketchbook.  Our Rio is a cowgirl and recently asked me to start painting horses again so I'm getting back into the swing of it.

IN A MEDICI VILLA

11 1/2" x 8 1/2" Uniball pen and watercolor in Moleskine A4 sketchbook. (From a painting by Sargent). I've been reading about John Singer Sargent and I'm completely fascinated by his watercolors. I decided to play fast and loose with the colors and texture to loosen up and have some fun while getting back into watercolor.

DAVID McCULLOUGH AT WORK

8 1/2" x 11 1/2" Uniball pen, watercolor and china marker in Moleskine A4 sketchbook (from photo)

DAVID McCULLOUGH WORLD HEADQUARTERS

11 1/2" x 8 1/2" Uniball pen and watercolor in Moleskine A4 sketchbook. One of my favorite writers is David McCullough. He works in this little building on his property and insists that it is not a shed, it's his office or "world headquarters". He has received 2 Pulitzer prizes and has written all of his books on a beautiful second hand manual Royal typewriter. No telephone, computer or distractions in this HQ. Adults not welcome but small children are allowed. His latest book is The Wright Brothers. If you like great stories I highly recommend all of his work. His watercolors are great too!

SANDMAN

SANDMAN  11 1/2" x 8 1/2" Speedball super black India ink and Winsor Newton Series 7 #2 brush in Canson sketchbook

OUT IN THE WARD

PATIENT ON THE WARD

NURSE ON THE WARD

CUCKOO'S NEST

Rereading some favorite books and trying out some illustration ideas. This from the Sketches Introduction to the 40th anniversary edition of One Flew Over The Cuckoo's Nest: "Eight o'clock every morning I showed up at the vets' hospital in Menlo PRereading some favorite books and trying outark ready to roll. The doctor deposited me in a little room on his ward, dealt me a couple of pills or a shot or a little glass of bitter juice, then locked the door. He checked back every forty minutes to see if I was still alive, took some tests, asked some questions, left again. The rest of the time I spent studying the inside of my forehead, or looking out the one little window in the door. It was six inches wide and eight inches high, and it had heavy chicken wire inside the glass. You get your visions through whatever gate you're granted. Patients straggled by in the hall outside, their faces all ghastly confessions. Sometimes I looked at them and sometimes they looked at me, but rarely did we look at one another. It was too naked and painful. More was revealed in a human face than a human being can bear, face to face.Sometimes the nurse came by and checked on me. Her face was different. It was painful business, but not naked. This was not a person you could allow yourself to be naked in front of."

LUCIFER MORNINGSTAR

11 1/2" x 8 1/2" Uniball pen and Faber-Castell Pitt big brush pens in Canson sketchbook

RORSCHACH HANDS, NO PROBLEM

11" x 16" Pentel brush pen and ink in Canson sketchbook

GREAMING IN THE FOURTH DIMENSION

18" x 24" Mixed Media on paper. I've been reading all of Neil Gaiman's Sandman series from the beginning as well as re-reading Cuckoo's Nest trying to come up with illustrations for it. Kind of mixed them up.

RALPH STEADMAN'S LITTLE SONG

11 1/2" x 8 1/2" ink in Canson sketchbook

PORTRAIT OF DANIEL

11 1/2" x 8 1/2" ink in Canson sketchbook.  He turns 94 years old today. "One is called to live nonviolently, even if the change one works for seems impossible. It may or may not be possible to turn the US around through nonviolent revolution. But one thing favors such an attempt: the total inability of violence to change anything for the better" -- Daniel Berrigan

Daniel Berrigan, SJ (1921-)

Peace activist and writer Daniel Berrigan, SJ, was born in Virginia, Minnesota, in 1921. His father Thomas Berrigan was a second-generation Irish Catholic. His mother Frieda Fromhart, of German descent, would feed any hungry itinerant who would come to the door during the Great Depression. Although his father had left the Church, Daniel remained attracted to the Catholic faith. Directly out of high school in 1939, he became a member of the Society of Jesus and was ordained in 1952.

Daniel was deeply influenced by his younger brother Philip. Philip served in the army during World War II and after the war became a Josephite priest. Daniel marched with Philip in the civil rights movement at Selma in 1965. As Philip became more active in the antiwar movements against U.S. involvement in Vietnam in the late 1960s, Daniel joined him in the protests. Their most famous protest was in 1968. With seven other participants, Daniel and Philip burned 378 files of young men who were to be drafted for military service. This led to the Berrigans’ arrest with the other members of their group. For a time Philip and Daniel avoided their prison dates and were on the FBI’s Ten Most Wanted List. Eventually Daniel served two years in prison and was released in 1972. Berrigan wrote of the incident and the trial in his play The Trial of the Catonsville Nine.

Other protests followed, leading to more arrests and prosecutions. From 1970 to 1995, Berrigan spent a total of nearly seven years in prison. He has continued his peace activism, protesting against the 1991 Gulf War, the Kosovo War, the U.S invasion of Afghanistan, and the 2003 invasion of Iraq.

Berrigan’s political involvement has overshadowed his accomplishments as a writer and a poet. His reflections on war resistance, his time in prison, and peace appear in some 35 books of essays and poetry. Berrigan reflected on his life in his 1988 autobiography To Dwell in Peace.

Berrigan now lives and writes in New York at the 98th Street Jesuit Community.